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Their chemistry is more sweet than scintillating.
Still, the film lives up to the implied promise of the first scene’s catty critique, delivering lush color and strong composition. The guard enjoys a peep show of dancing hard-ons, free in his fantasies to have his way with whomever he chooses, his obsession betraying a singular desire to control.
The fate of Blueboy and Numbers changed radically in the mid 80's when Embinder sold is interest in the publications to the printer. Though, to be fair, everybody in Score just wants a piece.
A glam mix of camp, crazy camera angles, and swinging raunchiness, the film joins married couples Jack and Elvira (Gerald Grant and Claire Wilbur) and their dinner guests Eddie and Betsy (Donovan and Lynn Lowry) for a night of seduction.
A leading man squarely in the Robert Redford mold, Donovan first materializes out of the bay, a nameless, voiceless hero wearing naught but a stainless steel cock ring. Like the free-form jazz that be-bops over the film’s orgy finale, Left-Handed zigs and zags until landing at a surprisingly touching conclusion, one of the few among these carnal classics to deliver a genuine emotional payoff.
Centurians of Rome (1980)
The darkest turn this vintage trip took was to the ancient sex-and-sandals spectacle of John Christopher’s Centurians of Rome.
But it wasn't until after issue #3 when Donald N. Embinder took the helm as Publisher that Blueboy began to become the premiere "Gay Lifestyle" magazine of the Late 70's and early 80's. This may be due to, in order to get a magazine out of the Adult Bookstores and into a 7-11 (in the 70's), a magazine had to have "content" (not like today).
Quality is OK, but not great.
All are 8.5" x 11" format, color and b&w
THE DIVER: features Steve York (with endowment falling conveniently out of those oh so short shorts) and unknown
#2: ?
#3 HELLBOUND 3 unknown Leather Dadies
CALENDARS
1979 Calendar – For Women Only Eric, Orestes, Hugo (Billy), Igmar, Eduardo, Ted, David, Carlo, Steve York, Tim
1980 America the Beautiful Calendar: John (Cover & Centerfold), Dennis, Tom, Jan, Joe, Steve York, Chip, Craig, Joao, Luis, Andrew, Eddie
For Information on Individual Issues go to the PRINT LIBRARY
EARLY BLUEBOY ISSUES
EARLY NUMBERS ISSUES
BLUEBOY: SPECIAL ISSUES / EDITIONS
12 Vintage Gay Adult Films Everyone Should See
At some point during the quarantine, a well-curated adult entertainment website approached me, offering access to peruse their voluminous catalog. Two prisoners in adjacent cells communicate by knocking on the wall between them. As in A Night at the Adonis, Strip traces the trajectory of the club’s newest, young tight-bodied employee, Darryl (Buddy Preston), as he learns the ropes amidst rampant sex taking place in every nook and cranny of the building — a building that would be demolished in the mid-2000s.
Practically all genders and tastes are celebrated in a collection spanning decades, up to some brand-new releases. It’s a remarkably non-diverse group of supposed New Yorkers, even by the standards of ’70s gay porn, although the clothes and grooming make the cast look remarkably like they could have walked right out of the Bijou Cinema in 2020.
A Night at the Adonis (1975)
A major point of many of these films’ appeal is their use of real-life queer spaces as actual locations, or inspirations for production design.
(Although, the film’s opening credits end on a happy note, listing the best porn name in the business: Peter Zass.)
Turned On (1982)
Payne eventually kissed gay porn goodbye, delving deeper into his BDSM side within the straight realm of adult cinema, before retiring from the industry entirely.
Rather, the characters’ loving commitment to each other makes a stronger impression than the hardcore action. The misspelled title isn’t the only thing off about this expensive-for-the-time epic, starring ’70s gay porn icon George Payne and aptly named Scorpio as Greek peasants abducted into slavery by Roman soldiers. The performer-turned-producer, who succumbed to AIDS-related complications at the age of 40, is featured on PinkLabel in the cruise and kinkfest Turned On, which he produced.
As Larry writes to his beloved in prison — in letters he’s afraid to send lest he out Richard as gay — he had been searching for the special touch of a man to fill a hole in his life. “Washed-out color, shitty prints, lousy soundtracks.” The rant provides a smooth setup for Strangers to exceed that standard, which it does as a piece of filmmaking and same-sex romance that just happens to feature plentiful nudity, anal, oral, and orgasms.
In brilliant black-and-white, the film follows tousle-haired 18-year old Robert (Robert Adams) and 28-year old Tom (Robert Carnagey) around the streets of San Francisco.
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Iris advises glum, young Larry to “get out, cruise, go to a movie, do something a little kinky. Adams and Locke generate heat in fits and starts, but their sex scenes are stiff and awkward. I dove in.
I didn’t just watch porn all summer, of course, but I watched more porn than usual.