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Again Lomazzo, in his Book of Dreams, imagines a “reasoning” (i.e., a dialogue), the fifth in the book, between Phidias and Leonardo da Vinci, which contains an explicit reference to homosexual practices that the artist allegedly engaged in with Caprotti. Perhaps unsurprisingly, he never married, and chose instead to surround himself with beautiful young men, in particular Salai (a nickname meaning ‘little devil’) and Melzi, both of whom Leonardo included in his last will.

His art and his life, Suwa Culture Center, 1983

  • Luca Beltrami, Documents and memoirs concerning the life and works of Leonardo da Vinci: in chronological order, Treves, 1919

    • Warning: the translation into English of the original Italian article was created using automatic tools. Leonardo never showed any interest in women and even wrote that heterosexual intercourse disgusted him.

    Can we say with certainty that the great Tuscan genius was gay? However, when books or newspapers reproduce 133v they are wont to cut out only the portion with the bicycle without showing what the students of the Tuscan genius drew beside it: thus we see two large penises, provided with legs, marching toward an orifice on which is inscribed “Salaì.” Of course, this is not proof (any male, even today, will have happened to be accused of homosexuality in goliardic circles), but it is nonetheless a fact that Salaì turns out to be the only pupil of Leonardo for whom a similar joke is attested.

    The gay kiss between Leonardo da Vinci (Aidan Turner) and Jacopo Saltarelli (Kit Clarke) in the RAI series 2021


    Folios 132v and 133v of the Codex Atlanticus.

    Also to the goliardic milieu of Leonardo’s workshop can be traced the recently discovered drawing of theIncarnate Angel to which was added (it is not known by whom, whether by Leonardo or some of his pupils) a conspicuously erect member, which in any case in itself proves nothing (Leonardo also left us drawings of heterosexual coitus), except that he was probably not as disinterested in sex as some scholars have implied.

    ‘Peter … was exposed to action, John was reserved for love.’

    Whatever the relationship between Jesus and St John, for Leonardo to have placed a female figure in the place of St John in a painting of the Last Supper designed for the dining hall of a monastery might be thought of as rather more than just poor catechism.

    Neel Burton is author of The Meaning of Madness, The Art of Failure: The Anti Self-Help Guide, Hide and Seek: The Psychology of Self-Deception, and other books.

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    Source: Neel Burton

    Was Leonardo da Vinci gay?

    Villata rejects, on the one hand, the idea that in St. Each episode of the series, commissioned by a coalition of European broadcasters, will revolve around one of his masterworks, reports The Times.

    Asked about the decision to depict the Renaissance polymath as gay, Thompson told entertainment magazine Variety: “It’s certainly a feature but it’s not the main pillar on which we are hanging it.”

    The Week

    Escape your echo chamber.

    It is not a thing of greater praise, among the virtuous, than this; and that he is true I will prove to you with very good reasons. The letter contains the confession of the late Wargrave in which he reveals a lifelong sadistic temperament juxtaposed with a fierce sense of justice. Here's what we know for sure.

    The first, is that the accusation was anonymous, and for that reason had to be invalidated, since the Officers did not admit anonymous complaints. To Peter, he says, Jesus gave the keys to his kingdom, but to John ‘he revealed the secrets of his heart’. Right at the end of the novel, in the postscript, a fishing trawler finds a letter in a bottle just off the Devon coast.

    Born as the illegitimate son of a notary, Piero da Vinci, and a peasant girl, Caterina, at Vinci in the region of Florence, Leonardo was educated in the studio of the renowned Florentine painter, Verrocchio. According to Freud, the kite (which for the Austrian psychoanalyst is nevertheless a “vulture”: in fact, he had relied on a mistranslation into German from the original Leonardian for his essay) could be a clear reference to oral intercourse, which could be the starting point for trying to derive the artist’s homosexuality from his behaviors.

    188-236

  • Whitney Davis, Freuds Leonardo und die Kultur der Homosexualität in Texte zur Kunst, 5 (1995), pp. In 1476, at the age of 24, Leonardo was twice charged with sodomy, even though the charges were common in the Florence of the quattrocento and later dropped for want of witnesses.

    As in his life so in his art: Leonardo drew many more male than female nudes, and gave much more careful attention to the male than to the female genitals.

    Though he longed to torture, terrify, and kill, he could not justify harming innocent people; so instead he became a ‘hanging judge’ and thrilled at the sight of convicted (and guilty) people trembling with fear.

    The Italian renaissance polymath Leonardo da Vinci arguably sublimed his homosexuality into his art. John we can perceive “the effusion of a homosexual elderly man” (a thesis supported by another great Leonardo scholar, Martin Kemp), and on the other hand, also an interpretation in a neo-Platonic key, with alleged meanings that refer to the thesis of the androgyny of the original and perfect man: according to the scholar, the conturbance of St.

    John, which we find in other works of Leonardo (such as Leda and the Swan: we do not, however, perceive the same erotic charge from it due to the fact that the Leonardo image has come down to us only through copies and reproductions) is peculiar to figures that make themselves bearers of “an all too disconcerting naturalness seen first and foremost as generative and metamorphic power (but also as necessity),” and is explained “on the basis of his theoretical speculation.” The idea that the sensuality of certain of his subjects is therefore to be traced back to Leonardo’s highly inquisitive attitude may not convince many, but it is enough to give the reader an idea of how complicated, if not impossible, it is to infer Leonardo’s sexual orientation simply by looking at his works, without taking into account the historical and cultural context in which he operated and especially without taking into account his ideas, which we know extensively thanks to his notes.

    Francesco Melzi, Portrait of Leonardo da Vinci (c.

    is da vinci gay

    Citizens who wished to denounce someone for sodomy had at their disposal a “drum” into which they could insert a sheet with the names and surnames of the accused, relying on the fact that the accusation was secret: the delators were required to sign it (this was to obviate the problem of slander), but their names were not revealed to the accused.